Iran's woodcarving has a high global status , woodcarving, woodcarving art, woodcarving training, woodcarving designs, woodcarving Iran in the world

Iran’s woodcarving has a high global status

Iran’s woodcarving has a high global status

Iran's woodcarving has a high global status , woodcarving, woodcarving art, woodcarving training, woodcarving designs, woodcarving Iran in the world

Dr. Mehdi Tusi, who participated in an exhibition of Iranian calligraphy and woodcarving, said: The level of woodcarving in different countries is different, but Iranian woodcarvers have been able to progress in these fields.
He added: I have traveled to 15 countries around the world and I have never seen anything higher than the Iranian inlay. Iranian professors have a special place in this field.
Regarding his participation in the Moscow Exhibition, Professor Tusi said: Participation in various exhibitions is very important for the development of the work, because in this way, artists compare and compare their works with the works of artists from other countries and are informed of each other’s artistic abilities.
The woodcarving master, who has participated in more than 80 domestic and foreign exhibitions, pointed to the beauty of Iranian woodcarving and said: Iranian woodcarving has aroused the admiration of artists in other countries. It is still at the top of the world.
The Iranian woodcarver, whose field of activity is culture and artistic specialization in calligraphy, woodcarving, latticework and latticework, noted: The artist has a mission to create beauty for human beings and a person who does not have such a view cannot create profound works. It is hidden, and the real artist is the one who can extract the art hidden in nature and enrich himself.
It’s the first time I’ve traveled to Russia, he said of his participation in the Moscow exhibition. The country has experienced artists who create valuable works in various fields.
Dr. Tusi was satisfied with the level of reception of Iranian inlays in the exhibition of Iranian calligraphy and inlaid works and considered the widespread presence of Russian enthusiasts in the art of Iranian inlay to be significant.
He says that the purpose of this trip is to help cultural interaction between Iran and Russia, and fortunately I see that there is interest in developing artistic and cultural cooperation on both sides.
The exhibition of Iranian calligraphy and inlaid works opened on Wednesday in Moscow to commemorate the anniversary of the victory of the Islamic Revolution of Iran and the Fajr decade, and lasted for four days.
In this exhibition, more than 50 calligraphy and inlaid paintings by Mehdi Tusi and Hadi Roshan Zamir were exhibited in the main hall of the East Literature Center of the National Library of the Russian Federation.
The works on display at the exhibition included 22 inlaid and latticed paintings, 18 calligraphy and calligraphy paintings, and 12 calligraphy paintings.
Dr. Tusi and Roshan Zamir also held a workshop on Iranian woodcarving and calligraphy at the National Library of Russia on Friday, which was well received by the Russians, and dozens of people interested in Iranian culture and art took part in the training program.

Shopping Cart
Scroll to Top