All about Iranian Gabbeh weaving

All about Iranian Gabbeh weaving , All About Gabbeh weaving, Gabbeh weaving, Gabbeh weaving art, Iranian weaving art, Gabbeh, Koolleh magazine

Gabbeh is a kind of hand-woven carpet that sleeps one to three centimeters, is coarse-textured and thick in proportion to its weft. The main skeleton of Gabbeh is warp and weft. In Gabbeh, a lot of fabric is used in each ridge, and sometimes the number is from three to eight wefts per ridge. Gabbeh roots are raised so that there is no gap between the rows due to the heavy use of thick fabric. And to make Gabbeh full of meat and corn, they use a long lint. Gabbeh is mostly woven in the “Persian weaving” method, but the “Turkish weaving” method is also rarely seen among tribes and nomads, and the Gabbehs are woven on horizontal (terrestrial) looms. Gabbeh is generally made of wool from the weft to the roots, and the most important pest is willow. The good Gabbeh is made of spring wool. It is very durable and has a lot of stability and radiance. Gabbeh’s design is mental and geometric, and with the help of symmetry weaving, attractive designs and patterns that are inspired by the environment around and around the weaver. The packing unit is Gabbeh Baqcheh and 2 to 4 Gabbeh boards are placed in each package.

Some linguists and writers believe that the word means rough, thick, and hard, and something like that, because it is called Gabbeh carpet, which has a long dream and is woven in a large way. This type of underlayment was woven by nomads for personal use. Gabbeh was an underdog to protect the land and the nomadic family from the cold.
For the first time in Iran’s history, the word Gabbeh is used in a report on the reception of Shah Tahmasb Safavid King Shah Homayoun Gurkani, the king of India, who was forced to flee to Iran due to political and conspiracies and betrayals of the courtiers. Shah Tahmasb Safavid took refuge in Shah Homayoun Gorkani and ordered him to be greeted with a unique and heartfelt welcome. Therefore, the directors of the welcoming celebration program, led by Mohammad Khan Ashraf Oghli, in the halls of the students’ two-bed rugs, Atlas, Gabbeh, and the three twelve-piece carpets of Kushgani (Joshaghani) are spread on the seven parts of the horse. The velvet and satin veils were covered wit