Wood carving Iran in the Zandieh era
The period of Zand’s rule, which was a period of peace and comfort for the people of Iran, is accompanied by the continuation of the same trend of art in the Safavid period, which acted as a bridge for the transfer of Safavid art to Qajar. Because Karim Khan was a humble and popular man, and instead of being called a monarch, he turned away from luxury, and this led to the decline of the decorative and aristocratic arts of his day.
One of the inlaid works is related to the late Zandieh period in the tomb of Agha Seyyed Hossein and Agha Seyyed Ibrahim in Langarud. The door has inscriptions carved on the Bao and the upper and lower passages of the limbs, and the carved lines have no pavement and are simply made and polished. The year of construction of this period is 1200 AH (1165 solar). There are no traces on the tonics, and the tonka frames have been woven with woven designs.