History of Bijar Carpet of Kurdistan of Iran

History of Bijar Carpet of Kurdistan of Iran

Among the other carpets of Iran, Bijar carpets came and went. There were eyes and lights. He used to make palaces and make money on the weavers’ tables.
But today, in the turmoil of the carpet market, its lack of exports and the stagnation of the domestic market, the value of the carpet has fallen so low that the main maker, the weavers, has no choice but to shrug it off and end its cravings. And!
Carpet is a tool for displaying many arts, including drawing and painting, painting, Chinese dot, spinning, dyeing, and most importantly skillful knitting, which combines art and feeling with the help of its members and communities, from the heart to the eye and hand.
The fingertips, such as fine and fine, yet tightly knit, carpets, embellish the carpet weaving that represents both its elegance and its durability and its worldwide popularity.
If you look at the history of this genuine artisan tool in the Bijar Gross region, it will bring famous figures as masters of carpet design and painting, such as the late masters Musa Masoudi and Asghar Allah Moradi.
Wind In addition to them today, such as Mr. Ali Asghar Lak and Ghodratullah Gichloo, are the most famous and capable Bijar carpet designers who have learned their art through hands-on training under the tutelage of Master Musa Masoudi, each of whom has a particular style and style. They have their own style and design is completely different.
Their varied designs have been embroidered on Gross carpets by local and local weavers for more than half a century; designs such as Rabai and Gul, hunting grounds, Islami, torpedoes, mulberries, Mostofi, Shah Abbasi and tangled fish All kinds of bamboo fish, afshar fish, myrrh fish, etc., all of which are used as bergamot and sometimes without it.
It goes without saying that these professors have spent their precious lives serving the people of this line and have contributed to the popularization of carpet weaving in Iran and some other countries in the past and should be truly honored, especially as gentlemen at the same time. Along with designing and painting to create local and traditional carpet holders and investments, we collaborate with weavers and oversee the quality and integrity of their work. They have also provided guidance on how to make carpet materials, such as cream, yarn and weft, and color, so that weaver’s products are virtually flawless and defective.
Although today, for some reasons, both the investment and the labor force of weavers are of little benefit to anyone, perhaps the most important reason is the inadequate and sluggish domestic and foreign carpet market. Exports of carpets to some Asian and European countries once led to the growth of the labor market and carpet weaving, as well as the employment of many families and the employment and profit of other people, including wool and cream traders, Woolen Shoemakers. , Spinners, Painters & Painters, Designers & Painters, Public & Private Carpet Manufacturing Companies, Carpets, Exporters, Transportation, Trading, Intermediaries & Brokers & …
Other causes of this messy situation include the replacement of chemical and non-volatile colors with traditional herbal and fixed colors, and the presence of low-powered and inconspicuous painters, and the inappropriate copying of masters’ designs, especially the abuse and copying of some countries such as China and India and Pakistan are cheap at the expense of Iranian carpet design and its export in the name of Iranian carpet, and of course mismanagement of Iranian carpet exports to the applicant countries or even government policies and lack of positive relations with European countries also reduce internationally. Purchase of Iranian carpets, including such as Bijar.
One of the beauty requirements of a carpet is that its freshness and color catch our attention, but we must not forget the originality of the designs because the combination of the design and the suitability of the different colors and intertwined roles make the viewer so focused. From every color and every role, subtle and subtle points can be found that affect the human mind so much that nothing is more pleasing and beautiful.
It is the result of the experience and enthusiasm of successive generations that has carved the Iranian rug for over a thousand years in the eyes of many generations and continues to this day.
So carpet masters, including designers and painters, workshop and corporate weavers, painters and investors, and local carpet weavers and other contractors, while maintaining respect for the originality of past designs, seek to innovate and present new designs And today’s beauty, and even the combination of the two, and by making changes to the carpet role, in the style and manner they are today, so that the industry and the arts will not lag behind other modern developments and help the carpet market at home and abroad. Slow.